GOT STUCK? STRIVE THESE TRICKS TO STREAMLINE YOUR HOW TO DATE A BLACK WOMAN

Got Stuck? Strive These Tricks To Streamline Your How To Date A Black Woman

Got Stuck? Strive These Tricks To Streamline Your How To Date A Black Woman

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I learned my second attractiveness instructions at the class of pining and craving.



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That, I learned that elegance was "aspirational ] I think ] compassionately recognizing where they came from, and then thinking, does this really engage with my own joyful liberation or pleasure my own freedom? Think about the Black folks around you, many of us appreciate our kids, parents, favourite professor or roommate and we are not looking at them to determine their charm. If we love Big Mama's comfortable, comfy smiles, what does it suggest to value the moistness of Big Mama's brain that allows them? Because they don't emerge without a physique.



SLW: I love the phrase festivity because it's one item to modify the storyline and notice everything when gorgeous. Part of my healing process is beyond what I look like, ]and more about ] how I can feel beautiful, thinking I love my skin tone and my hair, not just because they look good and are acceptable to other people but in loving my skin, I actually feel good in my skin. This could be a refined switch because charm stipulates come with this sense of fear and responsibility. But the idea of event, to me, afterwards, immediately takes me to a room that goes beyond the physical sense. Tying our beauty acts to what feels great helps us identify when our attractiveness serves feel like an duties, like considering whether I'm straightening my mane because I feel obligated to in order to avoid shame and ostracization versus I'm straightening my tresses because I feel pleasure in doing that, or I feel correct. Allowing ourselves to distinguish when decoration makes us feel fairer, more cheerful, and happier versus when decoration feels like a task or something that is protecting us from being ostracized, judged, or criticized.



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How would you define desirability and how it affects the community at large?



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TK Saccoh: My understanding of desirability politics is borrowed from Dashuan L. Harrison. The politics of anti-fatness as anti-Blackness where desirability is social and economic capital, which is more tangible than pretty privilege. Through the lens of colorism, we see women and girls who get the most opportunities, often looking a certain way than people who are darker skinned or not thin or do not have a palatable aesthetic to them. Whether you're thin, able-bodied, or light, all these -isms and systems of oppression work together to create desirability and health outcomes, employment prospects, social circles, and even marriage prospects. It's a system of oppression that rewards you tangibly based on certain features you were born with. They're a trans author, and they wrote the book, Belly of the Beast. If you live somewhere outside of the features that are rewarded, the world is going to punish you in a variety of ways for not conforming.



I notice that the most desirable people are given opportunities to represent the community, especially when we talk about women and girls. It's like I can see myself in that person because they're Black, but there are so many other things I experience that that person doesn't. This warps our understanding of representation and leaves a lot of people behind who want to be represented but have to settle for the crumbs of representation.



What are some methods for deconstructing internalized biases?



TK: In a world that is rife with colorism, ableism, and fatphobia, I think the first step is recognizing that you weren't born discriminating against people who are darker skinned or who have larger bodies. As someone who does a lot of colorism work, people will voice their frustrations about colorism ,]with family, etc] and are vulnerable about their experiences, and instead of]people ] listening to them, they're automatically accused of being bitter or divisive. I think that, on par with educating yourself, you really have to interrogate how you interact with people you're biased against and be self-critical and introspective about those interactions. You can understand that whatever biases you have, it's not as personal as you might think it is. Then, you need to educate and ground yourself in more scholarly work, maybe checking whatever instinct you have to silence people whom you might have biases against.



Is there a way that Black Beauty can be celebrated in a way that doesn't lean into desirability?



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TK: It is becoming harder to imagine a world where there isn't a hierarchy of beauty. But I do think we can be more intentional if we don't want it to happen as quickly. It can't just be like an all Black is a beautiful thing because although I think that we need to be more intentional about that celebration, we need to recognize the people who are categorically put in the box of ugly, whether it be because of their skin complexion, their features, or their body. It's a difficult balancing act because, ideally, we want to celebrate Black beauty and value everyone's beauty, but in the society, we find ourselves in today, it's a proclivity to place people into hierarchies to attribute value to certain features and different types of appearances. I don't see how the celebration of beauty would not inevitably lead and evolve into a hierarchy. We can see people who have been historically marginalized because of how they look and celebrate and love on them more because they would need corrective representation.



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Do you think society has progressed or regressed since the Black Is Beautiful movement?



SLW: I think from the late 1960s through the late 1970s, the pendulum started to swing unequivocally, without question, toward Black is Beautiful. What would give us staying power to continue moving the pendulum toward understanding the beauty of Blackness is recognizing and seeing Black as beauty in and of itself as it is, not how closely we match the white aesthetic. We are coming into wider discourse. I think we're starting to see it now swing back towards people having the opportunity to not only say that Black is Beautiful, but what I hope changes with this generation is that we start to question how many variations of Black fit into that term. A couple of decades after that, it started to swing back to where it's like press and curls and color contacts. Regardless of how Blackness manifests, its vastness should be represented across body type, in terms of abilities or disability, height, features, hairstyles, and hair textures. Social media has allowed people to speak and be heard, seen, and critique these movements. How are we defining that for ourselves, and are we critiquing our own critique of the system?

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